Bedienungsanleitung Behringer VMX100USB (Seite 5 von 9) (Englisch)

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5 PRO MIXER VMX100USB User Manual

2.1 Input channels 1 and 2

(1) The PHONO/LINE-USB switch selects one of the input pairs on the

respective channel. The “PHONO” setting (and inputs) are intended for

turntables; for all other signal sources, i.e. a CD or MD player, use the “LINE”

setting and inputs. Audio sent from a computer to the VMX via USB cable is

routed to channel 1. This signal is mixed with the LINE input.

◊ Never connect line-level equipment to the highly sensitive phono

inputs! The output levels of phono cartridge systems are in the

millivolt range, whereas CD and MD players, as well as tape decks,

provide outputs levels in the volt range. In other words, the level of line

signals is up to 100 times higher than phono output levels.

(2) The GAIN control is used to adjust the input signal level.

◊ The overall level of your signal is also effected by the EQ settings.

It’s a good idea to adjust the equalizer before you set the level with the

GAIN control.

(3) Each of the two input channels is equipped with a 2-BAND EQUALIZER

with kill characteristic. The maximum amount of attenuation (-32 dB) is

much higher than the maximum boost (+12 dB), allowing entire frequency

spectrums to be “removed” from a track.

(4) The CHANNEL fader adjusts the nal channel volume.

2.2 PFL section (Pre Fader Listening)

The PFL signal is a pre-fader headphones signal, enabling you to pre-listen to a

signal source without eecting the main signal.

(5) The LEVEL control determines the volume of the headphones signal.

(6) The MIX control lets you fade between channels 1 and 2.

(7) The LEVEL METER displays the level of the signal selected via the

MAIN/PFL button ((8)).

(8) The MAIN/PFL button allows you to route either the main or PFL signal to

the display. Remember: “PFL” is your pre-listening or headphone signal and

“MAIN” is the signal assigned to the outputs of the VMX100USB.

◊ In PFL mode, the channel 1 signal is displayed on the left side of the

LEVEL METER, and channel 2 on the right.

2.3 Mic/Main section

(9) The MAIN knob controls the overall output volume.

(10) The MIC LEVEL control adjusts the volume of the microphone signal.

2.4 Beat counter

The PRO MIXER VMX100USB’s built-in beat counter is an extremely useful feature,

allowing smooth crossfades between two tracks—an important key to the

success of your performance. The beat counter analyzes and displays the tempi

of your tracks in BPM (Beats Per Minute). The beat counter sections of channel

1 and 2 are identical.

The tempo of the track is shown in the respective channel’s Display ((11)).

In the case of multiple tempo changes, the display would change continuously,

causing unnecessary confusion and rendering the function virtually useless.

Enter the SYNC LOCK button ((12)): with it, you can limit the range of possible

tempo values within a song. Pressing this button once the counter has “caught”

and displayed a realistic value will simplify things. The BEAT ASSIST button ((13))

allows you to set the beat counter’s tempo manually, similar to“tap tempo”.

Pressing the button three times in time with the track will set the beat counter

and its display at that tempo. The BEAT ASSIST and SYNC LOCK buttons are each

equipped with an LED to show that the respective function is activated.

Once the tempo of the two tracks have been determined and locked with the

SYNC LOCK or BEAT ASSIST buttons, the tempo dierence between channel 1

and 2 will be depicted via the 9-segment TEMPO DIFFERENCE LED display ((14)).

It shows the degree of the tempo dierence by a respective deection to the

right (channel 2 track is faster) or to the left (channel 2 track is faster). The center

LED lights when the tempi are equal. The synchronization of channel 1 and 2 is

shown in the TIME OFFSET LED display ((15)) below the TEMPO DIFFERENCE display.

When the center LED is lit, the tracks are in sync with each other. When the

display moves to the left or right, the corresponding channel is running out of

sync. The TEMPO DIFFERENCE and TIME OFFSET displays are only active when the

tempi of both channels have been locked as explained above.

To exit the SYNC LOCK or BEAT ASSIST mode, simply press the SYNC LOCK key in

both channels again.

2.5 Crossfader section

(16) The CROSSFADER is used to fade between channels 1 and 2.

(17) The CURVE switch, located on the left side of the CROSSFADER, enables you

to select between two crossfade modes: SOFT and SHARP. In SOFT mode

the crossfader fades between the channels in a linear, continuous manner.

This mode is recommended for slower, smoother crossfades. In SHARP

mode the crossfader takes on a more logarithmic eect, working faster

towards the outer edges of the fader range. Use this mode for faster,

“hard” crossfades.

◊ Flipping the CURVE switch may cause a sudden change in volume.

We recommend not changing this setting while a signal is present.

(18) The MIC INPUT connector is a balanced ¼" TRS socket for

microphone connection.

◊ We strongly recommend the use of high-grade cables and connectors

for the transmission of audio signals. Inferior quality materials cannot

supply acceptable audio quality or corrosion protection.

(19) The HEADPHONES socket allows you to connect your headphones for

pre-listening (PFL signal). For best results, use headphones with an

impedance rating of at least 32 Ohms.

Behringer VMX100USB Seite 5

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