Bedienungsanleitung Behringer XAir - XR12 (Seite 41 von 46) (Englisch)

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41 X AIR User Manual

Ultimo Compressor

The Ultimo Compressor is based on the Urei 1176LN Limiting Amplier and

authentically captures the smooth character of the original class-A output stage

in its FET's legendary fast attack.

Start with the INPUT and OUTPUT knobs at the -24 position for unity gain and set

the ATTACK and RELEASE knobs fully counterclockwise. Select the compression

ratio, then raise the ATTACK knob to lightly compress the signal. Increase the ratio

for heavier compression and experiment with ATTACK, RELEASE and INPUT levels

to achieve your desired result. Compensate for overall level reduction with the

OUTPUT knob.

Enhancer

These Enhancers are so called “Psycho EQs”. They can enhance the signal

spectrum in bass, midrange and high frequencies but they dier from traditional

equalizers. When you need to generate maximum punch, clarity and detail,

without turning up the overall volume, our enhancers are the solution.

(Inspiredby the SPL Vitalizer)

Adjust the BASS, MID and HI GAIN knobs to add or reduce content in those

spectrums. The BASS and HI Frequencies can be specically selected, while the

MID Q (bandwidth) can be adjusted instead. The OUT GAIN knob compensates for

changes in level resulting from the eect, and the SPREAD knob (Stereo version

only) emphasizes the stereo content for a wider mix. Engage the SOLO MODE

to isolate only the audio resulting from the eect so you can hear exactly what

you’re adding to the mix.

Exciter

Exciters increase presence and intelligibility in live sound applications, and are

indispensable for adding clarity, air and harmonic overtones in the recording

studio. This eect is particularly useful for lling out the sound in dicult rooms

and for producing a more natural live/recorded sound. (Inspired by the famous

Aphex Aural Exciter)

Set the frequency of the side-chain lter with the TUNE knob, and further shape

the lter slope with the PEAK and ZERO FILL knobs. Turning the TIMBRE knob

left of center adds more odd harmonics, while turning it right of center adds

more even harmonics. Adjust the harmonic content added to the signal with

the HARMONICS knob, and blend in the eected signal with the MIX knob.

Engagethe SOLO MODE to isolate only the audio resulting from the eect so

youcan hear exactly what you’re adding to the mix.

Stereo Imager

A Stereo Imager is typically used to control the placement of a signal within the

stereo eld during mixdown or mastering. Modeled after the BEHRINGER Edison

rack unit, the Stereo Imager will lend a professional quality to your live and

recording performances.

The BALANCE knob allows you to emphasize the mono or stereo components

of the input signal. The mono and stereo signals can be panned independently

with the MONO PAN and STEREO PAN knobs. OUT GAIN is used to compensate for

level changes resulting from the eect. The phase can also be shifted using the

shelving knobs. Select the frequency and bandwidth (Q) using the corresponding

knobs, then adjust the gain with the SHV GAIN knob.

Edison EX1

The EDISON EX1+ is a remarkably eective tool that allows manipulation of the

stereo eld. The eect oers stereo and mid/side input and output and a phase

correlation meter. Exaggerate the stereo eld with the ST SPREAD knob and

adjust the ratio of mono to stereo content with the BALANCE knob. The CENTER

DIST knob allows the mono content to be panned. Compensate for level changes

with the OUTPUT GAIN knob.

Sound Maxer

Inspired by the Sonic Maximizer 482i, this eect restores natural brilliance

and clarity to any audio signal by adjusting the phase and amplitude integrity

to reveal more of the natural texture of the sound. LO CONTOUR adjusts the

level of phase-corrected low frequencies and PROCESS adjusts the level of

phase-corrected high frequencies. GAIN compensates for level changes caused

bytheeect.

Guitar Amp

Modeled after the Tech 21 SansAmp, the Stereo / Dual Guitar Amp simulates the

sound of plugging into a real guitar amp. From shimmering cleans to saturated

crunch, the Stereo / Dual Guitar Amp allows an electric guitar player to sound

great without using an amp on stage.

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Behringer XAir - XR12 Seite 41

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