Bedienungsanleitung Behringer Xenyx 1002 (Seite 5 von 12) (Englisch)

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5 XENYX 1202/1002/802/502 User Manual

1.3.3 Online Registration

Please register your new BEHRINGER equipment right after your purchase

by visiting http://behringer.com and read the terms and conditions of our

warrantycarefully.

Should your BEHRINGER product malfunction, it is our intention to have it

repaired as quickly as possible. To arrange for warranty service, please contact

the BEHRINGER retailer from whom the equipment was purchased. Shouldyour

BEHRINGER dealer not be located in your vicinity, you may directly contact

one of our subsidiaries. Corresponding contact information is included in the

original equipment packaging (Global Contact Information/European Contact

Information). Should your country not be listed, please contact the distributor

nearest you. A list of distributors can be found in the support area of our website

(http://behringer.com).

Registering your purchase and equipment with us helps us process your repair

claims more quickly and eciently.

Thank you for your cooperation!

2. Control Elements and Connectors

This chapter describes the various control elements of your mixing console.

Allcontrols, switches and connectors will be discussed in detail.

2.1 Mono channels

2.1.1 Microphone and line inputs

Fig. 2.1: Connectors and controls of mic/line inputs

MIC

Each mono input channel oers a balanced microphone input via the XLR

connector and also features switchable +48 V phantom power supply for

condenser microphones. TheXENYX preamps provide undistorted and noise-free

gain as is typically known only from costly outboardpreamps.

◊ Please mute your playback system before you activate the phantom

power supply to prevent switch-on thumps being directed to your

loudspeakers. Please also note the instructions in chapter 2.3.5

“Phantom power and LED displays”.

LINE IN

Each mono input also features a balanced line input on a ¼" connector.

Unbalanced devices (mono jacks) can also be connected to these inputs.

◊ Please remember that you can only use either the microphone

or the line input of a channel at any one time. You can never use

both simultaneously!

GAIN

Use the GAIN control to adjust the input gain. This control should always be

turned fully counterclockwise whenever you connect or disconnect a signal

source to one of the inputs.

2.1.2 Equalizer

All mono input channels include a 3-band equalizer, except for the 502, which is

equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB. Inthe

central position, the equalizer is inactive.

The circuitry of the British EQs is based on the technology used in the best-known

top-of-the-line consoles and providing a warm sound without any unwanted

side eects. The result are extremely musical equalizers which, unlike simple

equalizers, cause no side eects such as phase shifting or bandwidth limitation,

even with extreme gain settings of ±15 dB.

Fig. 2.2: The equalizer of the mono input channels

The upper (HIGH) and the lower band (LOW) are shelving lters that increase

or decrease all frequencies above or below their cut-o frequency. The cut-o

frequencies of the upper and lower band are 12 kHz and 80Hz respectively.

Themid band (1202/1002/802) is congured as a peak lter with a center

frequency of 2.5 kHz.

LOW CUT

In addition, the mono channels (1202 and 1002) are equipped with a steep

LOWCUT lter (slope at 18 dB/oct., -3 dB at 75 Hz) designed to eliminate

unwanted low-frequency signal components.

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