Bedienungsanleitung Marshall BB-2 (Seite 3 von 5) (Englisch)

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Introduction

The Bluesbreaker II takes the philosophy of our original

Bluesbreaker pedal one step further and features two modes,

Blues and Boost. This effectively makes it two pedals in one.

Boost Mode is designed with the vintage valve amp or ‘tone

purist’ type of guitar player in mind. If you don’t want to alter

the tone of your amp at all, but want to drive the front end

harder to push the amp further into natural overdrive. The

Boost mode features a clean boost controlled by the pedal’s

volume control, which will not affect your original tone. It can

also be used for boosting the signal which can sometimes be

lost when using long leads (particularly with single coil pick-

ups).

Blues Mode is reminiscent of the tonal and distortion

characteristics of our non master volume amps such as the

classic Bluesbreaker combo from the 1960s. This Mode

produces a wonderful natural style overdrive for crunchy

chord work and singing single notes for truly inspirational

leads, all delivered with the warmth and tonality of those early

Marshalls.

The Bluesbreaker II features a true full passive bypass for the

main signal path to ensure complete tonal integrity and has a

quality of tone matched only by its versatility.

This booklet provides a guide to the Bluesbreaker II’s features

for your information. We have also enclosed a number of

suggested settings to help you to get started. It should be

remembered that these are only suggested settings and you

should really experiment whenever you can.

If you take the time to explore the many different overdrive

and distortion characters of the Bluesbreaker II, you won’t be

disappointed.

Features

1. Out Jack Socket

This is the output of the Bluesbreaker II and is for connection

to the amplifier or to another effects pedal.

2. Mode

Allows for selection of Boost and Blues modes.

Boost Mode completely bypasses the Tone and Drive network

of the Bluesbreaker II and adds a clean boost to the signal

controlled by the Volume (Item 7) control. This will give your

guitar an extra lift and is ideal for driving the front end of a

valve amp into distortion without affecting your all important

tone. This is particularly suited for amps that are already

naturally slightly distorting, giving them an extra kick over

the edge, or for boosting your sound for solos.

Always use good quality shielded leads.

Always use 9V regulated DC supply with centre negative.

Although it may seem obvious the first action in achieving a

good effected sound (be it duration / compression etc.) is to

find the perfect bypassed sound. This will then allow the

correct level to be set with the effect unit to allow a cut or

boost in volume and a realistic tone.

On clean channels it is advisable to set the gain (or volume)

to a setting of no less than one quarter maximum so as not to

get unrealistic results due to any volume dependent tonal

shaping on the amplifier preamp.

Setting Up

ENGLISH

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