Bedienungsanleitung Marshall ED-1 Compressor (Seite 3 von 5) (Englisch)

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Introduction

Compression is perhaps one of the most useful and versatile

effects available to any guitarist who is interested in improving

their tone.

The purpose of the Compressor pedal is primarily to allow you

to modify the sustain and attack of your guitar sound. Using

classic variable gain techniques the Compressor will provide

masses of clean sustain, which you can utilise whatever your

style. The Compressor pedal senses the level of the incoming

guitar signal and as the signal level decays the gain of the

internal circuitry is boosted to provide extra level and hence

sustain.

The attack control modifies the dynamic response of the guitar

signal (the effect of plucking a string) and allows you to

achieve a range of effects from rounded and mellow to

percussive and funky.

The Compressor also features an Emphasis control which

allows you to assign compression and target the frequencies

you want to compress. This means that you can, for example,

tighten up or compress your bass notes and let your treble

notes ring out.

The Compressor features a passive bypass for the main signal

path to ensure complete tonal integrity and has a quality of

tone matched only by its versatility.

Here follows a complete run down of The Compressor’s

features for your information. We have also enclosed a

number of suggested settings to help guide you. It should be

remembered though that these are only suggested settings

and you should really take the time to experiment.

Though the Marshall Compressor can produce traditional type

effects it is also ideally suited to the player who wants

something a little bit different. So take the time to explore the

sonic avenues opened to you by the Compressor, you won’t be

disappointed.

Features

1. Out Jack

This is the output of The Compressor and is for connection

to the amplifier or to another effects pedal.

Always use good quality shielded leads.

Always use 9V regulated DC supply with centre negative.

Although it may seem obvious the first action in achieving a

good effected sound (be it duration / compression etc.) is to

find the perfect bypassed sound. This will then allow the

correct level to be set with the effect unit to allow a cut or

boost in volume and a realistic tone.

On clean channels it is advisable to set the gain (or volume)

to a setting of no less than one quarter maximum so as not to

get unrealistic results due to any volume dependent tonal

shaping on the amplifier preamp.

As is inherent in circuits of this type the increase in gain at

low signal levels inevitably leads to unwanted extra noise as

the circuit gain is maximum when the signal level is

minimum. Many players overcome their problem with

discerning use of a swell pedal or simply utilising the bypass

footswitch during performance.

Setting Up

ENGLISH

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Marshall ED-1 Compressor Seite 3

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