Bedienungsanleitung Samson L2000 (Seite 8 von 24) (Englisch)

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Controls and Functions

INPUT CHANNEL SECTION - continued

knob remains the same. An auxiliary bus that is set

up as POST Fader routes, or sends, the signal to its

output from a point in the channels’ circuit that is

electronically after the channel Fader. That means

that the channel Fader also affects the level of a

POST aux send. A POST Auxiliary bus is what you

want to use (almost always) for sending to an effects

processor, either internal or external. When using

the POST aux sends, (while turning the channel

Fader up or down) the level of effects will track the

channel level correctly.

4 – AUX 1-2 Pre Fader Send

Each of the L series’ input channels include a pair

of Pre Fader Auxiliary sends; AUX 1-2 and their

control knobs adjust the amount of that channel’s

signal that is sent to the AUX 1-2 Output. The signal

feeding AUX 1-2 is sent before, or pre, the channel

Fader, so the channel Fader has no effect on the

AUX 1-2 output levels. The AUX 1-2 buses are usually

used to create a separate mix for a floor monitor

system.

5 – AUX 3 Pre/Post Fader

Each of the L series’ input channels include an

Auxiliary send (AUX3) which can switch from Pre to

Post sends; AUX 3 and their control knobs adjust the

amount of that channel’s signal that is sent to the

AUX 3 Output. Aux 3 can be configured for pre or

post fader send using the PRE/POST switch (6). The

AUX 3 bus is usually used to create a separate mix for

a floor monitor system, but you can set the Pre/Post

switch to Post to use the send as en effects bus to an

external processor.

6- PRE/POST switch

The PRE/POST switch is used to select the point that

the AUX 3 bus uses to send the signal. When the

PRE/POST switch is set to PRE, the signal feeding

AUX 3 is sent before the fader, so the channel Fader

has no effect on that level. This is the normal setting

when using AUX 3 as a monitor send. When the PRE/

POST switch is set to POST, the signal feeding AUX

3 is sent after the fader, so the channel Fader has an

effect on that level, meaning the Aux level tracks up

and down with the channel Fader. This is the normal

setting for using AUX 3 as an effects send, since in

most applications when you set the channel louder

you want the effect to get louder too. When you

move the Channel Fader up or down the level of

effects will track the channel level correctly.

7 – EFX- Post Fader Send

The L series provide high quality, 24 Bit digital

effects, and the level of effects can be set

independently on each channel. The channel’s

EFX knob controls the amount of signal that is

sent to the EFX bus feeding the internal DSP effect

processors.

8 - Channel Equalizer - Mono Channels

The L1200 and L2000 mic/line input channels

incorporate a 3-band, swept-mid equalizer

allowing you to adjust the high, mid-range, and

low frequencies independently on each channel.

The frequency centers, range of boost or cut, and

equalizer type for each band are described in the

following section:

HF (HIGH FREQUENCY) 12kHz +/- 15dB Shelving

type

The channel’s HIGH frequency response is flat when

the knob is in the “12:00” position. Rotating the

knob towards the right will boost the channel's high

frequency response at 12 kHz by 15dB, and rotating

it towards the left will cut the high frequency by

15dB.

MF (MID FREQUENCY) CUT & BOOST

The MF knob is used in conjunction with the

FREQ knob to create the tonal shape in the mid-

range frequency when using the mono channel’s

equalizers. You can adjust the frequency on the

mid-range control with the FREQ knob, and use the

MF control to either boost or cut that frequency by

plus or minus 15dB. The channel’s MID frequency

response is flat when the MF knob is in the “12:00”

position.

FREQ (MID FREQUENCY) Variable 100Hz – 8K

The FREQ is a control enabling you enhanced

capabilities in the tonal shaping of the input channel

signal. Thanks to the FREQ control, you have a

variable mid-range equalizer, allowing you to pin

point the exact frequency you want to boost or cut.

The MID SWEEP has a “fixed Q” of two octaves (the

amount, or width, of frequencies

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