Contents
ZOOM HD8/HD16
5
Copying a V-take . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Moving a V-take . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
<< HD16 only>> Moving V-takes of tracks 1 – 8 to
tracks 9 – 16
Exchanging V-takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Importing audio data to a V-take . . . . . . . . . . . . . . .
Track capture and swap. . . . . . . . . . . . . . . . . . . . . .
Capturing a track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Swapping a track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Reference [Phrase Looping]
Which kind of phrases can be used? . . . . . . . . . . .
Loading a phrase
Basic phrase loading steps 68
Importing a phrase from the current project
Importing a phrase from a different project . . . . . . . . . . . 69
Importing a WAV/AIFF file
Adjusting phrase parameters
Copying a phrase . . . . . . . . . . . . . . . . . . . . . . . . . . .
Deleting a phrase
Writing a phrase loop to a track . . . . . . . . . . . . . . .
Using FAST input for the phrase loop
Writing a phrase loop to a track 74
Reference [Mixer] . . . . . . . . . . . . . . . . . . . . . . . .
About the mixer of the HD8/HD16 . . . . . . . . . . . . . .
Assigning input signals to recording tracks
Adjusting the signal for each track
(track parameters) . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Adjusting a track parameter 79
Using the parameter knobs
Linking two tracks (stereo link) . . . . . . . . . . . . . . . .
<<HD16>> Assigning an input/track signal to the
SUB-OUT jack
Using the solo function . . . . . . . . . . . . . . . . . . . . . . 83
Saving/recalling mixer settings (scene function) . .
Saving a scene
Recalling a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Switching scenes automatically 84
Deleting certain parameters from a scene
Reference [Rhythm]
About the rhythm section
Drum kits and bass programs
Rhythm patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Rhythm song
Rhythm pattern mode and rhythm song mode 88
Playing rhythm patterns . . . . . . . . . . . . . . . . . . . . . .
Selecting a rhythm pattern 88
Changing the tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Changing the drum kit / bass program . . . . . . . . . . . . . . . 89
Using the pads to play drum/bass sounds . . . . . . . . . . . . 90
Creating an original rhythm pattern
Preparations
Drum sequence real-time input. . . . . . . . . . . . . . . . . . . . . 93
Bass sequence real-time input . . . . . . . . . . . . . . . . . . . . . 94
Drum sequence step input 96
Bass sequence step input. . . . . . . . . . . . . . . . . . . . . . . . . 97
Entering rhythm pattern chord information
Changing the drum/bass sequence volume level
Assigning a name to a rhythm pattern . . . . . . . . . . . . . . 100
Editing rhythm patterns
Copying a rhythm pattern . . . . . . . . . . . . . . . . . . . . . . . . 100
Deleting a rhythm pattern 101
Creating a rhythm song
Selecting a rhythm song . . . . . . . . . . . . . . . . . . . . . . . . . 101
Entering pattern information using step input 102
Using FAST for pattern information input . . . . . . . . . . . . 104
Entering chord information 105
Entering other information 107
Playing a rhythm song. . . . . . . . . . . . . . . . . . . . . .
Editing a rhythm song . . . . . . . . . . . . . . . . . . . . . .
Copying a specified range of measures 108
Transposing the entire rhythm song . . . . . . . . . . . . . . . . 109
Copying a rhythm song 109
Deleting the rhythm song . . . . . . . . . . . . . . . . . . . . . . . . 110
Assigning a name to a rhythm song 110
Importing a rhythm pattern/rhythm song from another
project
Using Kit Files
Creating a kit file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Assigning samples to pads . . . . . . . . . . . . . . . . . . . . . . 112
Making pad parameter settings . . . . . . . . . . . . . . . . . . . 113
Copying a kit file 114
Deleting a kit file 115
Importing a kit file from another project 115
Assigning a name to a kit file . . . . . . . . . . . . . . . . . . . . . 116
Using samples . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Making various sample settings 117
Copying a sample . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Deleting a sample 120
Importing a sample from an external source . . . . . . . . . 121
Editing various settings of the rhythm section . .
Basic procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Changing the length of the pre-count . . . . . . . . . . . . . . . 124
Changing the metronome volume 125
Adjusting the sensitivity of the pads . . . . . . . . . . . . . . . . 125
Checking the remaining amount of memory 125
Swapping the left/right pan position . . . . . . . . . . . . . . . . 125
Reference [Effects]
About the effects
Insert effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Send/return effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Using the insert effect . . . . . . . . . . . . . . . . . . . . . .
About insert effect patches . . . . . . . . . . . . . . . . . . . . . . 127
Changing the insert location of the insert effect . . . . . . . 128
Selecting the patch for the insert effect . . . . . . . . . . . . . 129
Editing the insert effect patches . . . . . . . . . . . . . . . . . . 130
Storing/swapping insert effect patches . . . . . . . . . . . . . 132
Editing the name of an insert effect patch . . . . . . . . . . . 132
Applying the insert effect only to the monitor signal 133
Using the send/return effect . . . . . . . . . . . . . . . . .
About the send/return effect patches . . . . . . . . . . . . . . . 134
Selecting a send/return effect patch 134
Editing a send/return effect patch 134
Storing/swapping send/return effect patches 135
Editing the name of a send/return effect patch. . . . . . . . 136
Importing patches from another project . . . . . . .
Reference [Creating a CD]
About creating an audio CD . . . . . . . . . . . . . . . . .
About CD-R/RW discs . . . . . . . . . . . . . . . . . . . . .
