Bedienungsanleitung Marshall Code 25 (Seite 3 von 69) (Deutsch, Englisch, Französisch, Spanisch)

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MARSHALL AMPLIFIER HISTORY (CONT.)

MST modelling recreates the tonal and sonic characteristics of some of the most successful

and respected amplier preamps from the past fty plus years.

JTM45™

The JTM45 was the rst Marshall amplier. It was made in 1962 by Jim Marshall and his

small team of engineers in a workshop at his music store in Hanwell, London. This 30 Watt

two channel amplier began a revolution that changed forever the sound of rock and

blues music. The JTM45 is still made today as part of the Vintage Re-Issue™ Series and

Handwired™ Series.

1962 Bluesbreaker™

The 1962 Bluesbreaker was the rst combo made by Marshall. Launched in 1965, it had

two 12” speakers with an output of 30 Watts. The 1962 was famously used by Eric Clapton

on the inuential blues album ‘John Mayall’s Bluesbreakers’ in 1966 – hence the 1962’s

‘Bluesbreaker’ nickname. The 1962 Bluesbreaker is still made today as part of the Vintage

Re-Issue Series™ and Handwired™ Series.

1959™ Plexi™

To the minds and ears of many, the 100 Watt Super Lead heads of the mid to late 1960s are

the holy grail of great rock tone. Being non-master-volume, when cranked, the 1959 power

valves overdrive producing highly responsive, harmonically rich tones. The 1959 amplier

is still made today as part of the Vintage Re-Issue Series™ and Handwired™ Series.

JCM800 2203™

The 2203 is one of the most important ampliers Marshall has ever made. It evolved in the

‘70s from the JMP and 1959 Plexi heads. In the ‘80s the 2203 became the JCM800 2203

we know today: a straightforward single channel amplier that was favoured by the heavy

metal scene that dominated much of that decade. Its popularity remained well into the ‘90s

with the emergence of Grunge and Britpop, and it’s still revered today and is considered

the benchmark by which modern all metal ampliers are measured.

JCM2555™ Silver Jubilee™

The 25/50 Silver Jubilee Series was created in 1987 to celebrate the 25th anniversary of

the founding of Marshall Amplication and 50 years of Jim Marshall being in the music

business. Based on the JCM800 2203 and 2204™ Master Volume models, Silver Jubilee

ampliers had a special preamp circuit that featured three gain ‘modes’ which were Clean,

Rhythm Clip and a switchable Lead Channel. The 2555 was the 100 Watt head in the

Jubilee series, which was a limited edition. By popular demand the JCM2555 was re-issued

as the 2555X™ in 2015.

JCM2000™ DSL100™

Launched in 1997, the JCM2000 Dual Super Lead’s ‘dual mode’ design meant that guitarists

could choose either a Clean or Crunch tone from the Classic Gain Channel, whilst the

Ultra Gain Channel provided two lead sounds: Lead 1 & Lead 2. This tonal versatility was

aided by the Deep and Tone Shift features. It is the JCM2000 DSL100’s tonal range and

versatility that made it massively popular in its day, so much so, that its legacy lives on in

the current DSL Series.

MARSHALL AMPLIFIER HISTORY

JVM410H™

When the JVM410H launched in 2006 it caused quite a stir. This 100 Watt head is an all-

valve tonal monster that has four channels, each with three modes: Green, Orange and

Red, offering guitarists a range of 12 unique tones. Each mode recongures the channel

gain stages in order to develop different amounts of gain and tone. The JVM410H’s vast

tonal spectrum makes it the most versatile amplier Marshall has ever made, used by many

professional players.

POWER AMPLIFIERS

MST modelling recreates four classic and vintage valve power output topologies. A valve

power stage is a vital part of an all-valve amplier’s sound and its tonal character.

SPEAKER CABINETS

Marshall speaker cabinets are perhaps as famous as Marshall ampliers. The iconic 4 x 12”

design has changed little since Jim Marshall designed the rst one in 1965. Since then the

Marshall 4 x 12” has become the touchstone for all other speaker cabinets. MST modelling

recreates the sonic characteristics of eight classic Marshall speaker cabinets, including a

variety of 4 x 12”, 2 x 12” & 1 x 12” speaker congurations. Marshall speaker cabinets differ

not only in their speaker congurations, but in the speakers that they use, how they are

wired and the size of the cabinet.

ENGLISH ENGLISH

GETTING STARTED

To begin using CODE:

• Ensure that the power ON/OFF switch is set to the OFF position (#13 in this manual).

• Connect the supplied power cord to the rear power socket of the amplier before

plugging into the mains electricity supply.

• Plug your guitar cable into the amplier INPUT jack socket (#2 in this manual).

• Set the MASTER volume control to zero (#9 in this manual).

• Turn the amplier ON using the ON/OFF switch.

• Gradually turn the MASTER up to your desired volume level.

• Turn the PRESET selector to explore your CODE amplier’s factory Presets

(#8 in this manual).

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Marshall Code 25 Seite 3

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