Bedienungsanleitung Marshall JVM410HJS (Seite 6 von 10) (Englisch)

706097

Zoom out

Zoom in

Vorherige Seite

1/10

Nächste Seite

8 9

410 HJS

Joe Satriani Edition

10 0W Valve Amplifier

0 10

0 10 0 10 0 10 0 10 0 10

0 10

0 10 0 10

0 10 0 10 0 10

0 10 0 10

0 10

0 10 0 10 0 10 0 10

OD1

CLEAN

VOLUME

BASS

MIDDLE

TREBLE GAIN VOLUME

Orange & Red

BASS MIDDLE TREBLE

GAIN

TREBLE

MIDDLE

BASSVOLUME

GAINTREBLE

MIDDLE

BASS

VOLUME

CRUNCH

OD2

PRESENCE

RESONANCE

OFF

POWER

STANDBY

FOOTSWITCH/

MIDI PROGRAM

FX LOOP

MASTER 2

ENABLE

OD1

MODE

OD2

MODE

CLEAN

MODE

CRUNCH

MODE

INPUT

MASTER

GATE THRESHOLD OD1 CLEAN

CRUNCHOD2

MID-SHIFT

9. OD2 CHANNEL

See page 6 and 7 for full explanation.

10. MID-SHIFT SWITCH

This activates the Mid-Shift which only works on the OD1

and OD2 channel modes. This switch shifts the mids lower

and produces a slight “scoop.” The mid shift is indicated

by a blinking light in the footcontroller display.

11. CLEAN CHANNEL

See page 6 and 7 for full explanation.

12. CRUNCH CHANNEL

See page 6 and 7 for full explanation.

13. MODE SWITCHES

Pressing a MODE button has two functions:

When a mode button is used to change the ampliﬁ er

channel, the last used mode of the selected channel is

selected.

When pressing the same mode button it cycles the modes:

GREEN > ORANGE > RED > GREEN...

Each mode remembers the FX, Gate and Master settings

- plus, in the case of the OD1 and OD2 channel modes, it

also remembers if the Mid-Shift is activated or not.

Example: You are in OD1 ORANGE with FX + GATE and

you press CLEAN. The amp switches to the last Clean

mode you had (let’s assume it was CLEAN GREEN with

MASTER 2). If you press the OD1 switch you go back

to OD1 ORANGE with FX + GATE. This allows bouncing

between channels without losing the settings. If you now

press OD1 again, you go to OD1 RED with whatever FX,

MASTER, GATE and MID-SHIFT settings you had last time

you were in this mode.

1. MAINS (POWER) SWITCH)

This is the On/Off switch for the mains electric power to

the ampliﬁ er.

2. STANDBY SWITCH & SILENT RECORDING

The STANDBY Switch is used in conjunction with the

POWER Switch to ‘warm up’ the ampliﬁ er before use and

to prolong the life of the output valves.

When the ampliﬁ er is in standby mode the whole preampliﬁ er

section continues running at its nominal voltages whilst the

power ampliﬁ er remains in a standby status. This allows the

ampliﬁ er to be used for silent recording or preampliﬁ cation

purposes.

Only when the STANDBY is off can the ampliﬁ er be used

without a lo ad. Always ensure a load is connected when

leaving the silent recording mode, i.e. when switching the

STANDBY switch ON.

3. FX LOOP

Pressing FX LOOP switches the FX loop ON and OFF in

the current channel. This is a programmable FX loop which

features a Return Level control on the rear panel and it is

located after the pre-amp and the Noise Gate. Pressing

the FX Loop switch engages this FX loop. Please refer to

the Serial Loop description later on in the handbook for its

operation.

MASTER SECTION

4. PRESENCE, RESONANCE

These controls are power ampliﬁ er controls and only

have effect when playing through a speaker (not in silent

recording). They affect how the power ampliﬁ er reacts

to the connected speakers and how much control the

ampliﬁ er has over them.

Increasing the RESONANCE control emphasises the natural

speaker resonance for an improved bass response. In the

same way, increasing the PRESENCE control emphasises

the speaker’s high frequencies which will be heard as an

improved high frequency response which adds presence

to the sound.

Presence and Resonance constitute a powerful power

ampliﬁ er equaliser, allowing responses from a ‘^’ shape

when they are fully off, which is felt as a mid boost, to a ‘v’

shape when they are turned clockwise, which is felt as a

scooped sound. Again, the effectiveness of these controls

is highly dependant on the kind of connected speakers.

Care has to be taken to avoid over excursion of the speaker

cones in high resonance settings.

5. FOOTCONTROLLER / MIDI PROGRAM

This switch has a dual function:

Pressing it once we enter the FOOTCONTROLLER

PROGRAM mode. It is indicated by a continuous red light.

Pressing it twice we enter the MIDI PROGRAM mode. It is

indicated by a blinking red light.

6. MASTER 1 / MASTER 2

These are the master volume controls of the ampliﬁ er. They

can be assigned individually to each of the modes as you

wish and their setting will be remembered in each of the

modes. They are switched using the MASTER 2 button to

switch between MASTER 1 and MASTER 2.

7. GATE THRESHOLD CONTROL

Pressing ENABLE switches the noise-gate ON and OFF

in the current channel. Alongside the GATE switch each

channel has its own Gate control allowing individual level

settings of the effect.

8. OD1 CHANNEL

See page 6 and 7 for full explanation.

FRONT PANEL OPERATION

9 12

118

1 2

14. INPUT JACK SOCKET

You must always use a screened (shielded) guitar cable

and never use an unscreened (unshielded) speaker cable.

Also, this cable should be one of good quality. If you are in

any doubt regarding this, your Marshall dealer will be more

than happy to help and advise you.

ENGLISH

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Marshall JVM410HJS Seite 6

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info